tired like Kaufman


the sun is out she wears orange
freckles are her spots that cause chaos
upon the lines in the sand yesterday
the avocado trees gave without regret green
they were now the willows hang there
i just another organism single celled alone
yes the grass blades dewey with blood
from shedding flower cannibals deep among clouds
then the bus explodes its breaks the chosen
ones get off weighed down by sad
moons broken heart he a stoic far
beyond the grasp of the Neptune comic

wet dream

sheets wrap what is left of me

apple wood scent fills the air California burns again and again

all organs supple still throbbing where they need to

thrilling fancies pool around my head eyes closed your face i read in the darkness of it all

lips brush tenderly drinking of my well from dark to light no one dispels the rumours that encircle you

in your hands i am burning like Califa queen arms let go no pressure felt safety net falls into hell

the grail lays on it’s broken side empty in your hands it once stood brimming with love scent intoxication down the surface of my legs

in your hands my history of civilization lips give way to carnal cries teeth gnash eyes shut tight

the comet passes through my skin truth lies in secret screams revealed

to me you’re just a dream

the Clash forever

It was in the Fall; that’s about all I can remember. I was young and I was also compelled to punch Tennessee Abigail in the face. She showed me her cunt and said she wanted to fuck me. My mind panicked and I broke her nose. I was sixteen and two years into that life of score and run; but never running far enough from perps or skag.

You know those movies where Hollywood denies they exploit or glorify junkydom? They’re pretty accurate, but its far worse than they make you believe. No bleeding hearts please. I had choices, but I chose to accept the love with the destruction. I always had guardian angels, sometimes they were out to lunch dipping their toes in the Frankincense ashes at the nearby church’s wine cabinet.

Walking away from the bulging 200 plus pound bloody screaming mess, I felt bad for hurting her. Abigail continued to curse me out between twangs and gulps. An angry punk country song of sorts. I walked from the King Eddy to the Cecil hoping for some hope. I didn’t fear the cops, but I did fear Abigail’s Agatha Street pimp Big Chop coming after me for some down-home plastic surgery to my ribs.

Grasping for relief of the creeping fear, I thought about my history teacher, Mr. Hahn. He gave four honest to goodness shits about his students. I secretly enjoyed his middle of the road politics. I relished discussing the American ideal and arguing back and forth with the well to do kids in class whose moms drank in secret and their dads had a secretary to screw on Thursday evenings. It didn’t matter much though. I would yell out “the Clash forever.” Mr. Hahn would remind me that his class was strictly a Rolling Stones establishment.

I wasn’t the type of girl who thought about the accepted American ideal of what girls should be like in the 80’s. I guess I wasn’t any type at all. I arrived at the Cecil. Big Mac styrofoam boxes and empty apple juice bottles grew out of the tarmac instead of weeds. I felt sad. I thought Tennessee Abigail was my friend.

Spare Cock Amos didn’t have her drag on. We were going to go out. But I do remember her fingernails being exquisitely polished and groomed in seashell pink. Amos had a lot of hurt in her too. I told her about what I had done to Abigail. She asked why and I told her. Amos responded in a God dense given voice, “good for you.”

Dusk was gray golden and the neon flashed halfway on hooch shop fronts. I took Spare Cocks arm at her request. We waved at the half live carnage on the side walks on Los Angeles street. From one of the gutted out warehouses my mind convinced me Piaf’s ‘La foule’ was wafting out. I unclasped from Spare’s cautious restraint and twirled; neck stretched harvesting the notes in my ears like ripe peaches.

a grady read

my way…

it was in the Fall that’s about all i can remember i was young and i was also compelled to punch Tennessee Abigail in the face she showed me her cunt and said she wanted to fuck me my mind panicked and i broke her nose i was sixteen and two years into that life of score and run but never running far enough from perps or skag

you know those movies where Hollywood denies they exploit or glorify junkydom they’re pretty accurate but its far worse than they make you believe no bleeding hearts please i had choices but i chose to accept the love with the destruction i always had guardian angels, sometimes they were out to lunch dipping their toes in the Frankincense ashes at the nearby church’s wine cabinet

walking away from the bulging 200 plus pound bloody screaming mess i felt bad for hurting her Abigail continued to curse me out between twangs and gulps an angry punk country song of sorts i walked from the King Eddy to the Cecil hoping for some hope i didn’t fear the cops but i did fear Abigail’s Agatha Street pimp Big Chop coming after me for some down-home plastic surgery to my ribs

grasping for relief of the creeping fear i thought about my history teacher Mr. Hahn he gave four honest to goodness shits about his students i secretly enjoyed his middle of the road politics i relished discussing the American ideal and arguing back and forth with the well to do kids in class whose moms drank in secret and their dads had a secretary to screw on Thursday evenings it didn’t matter much though i would yell out “the Clash forever” Mr. Hahn would remind me that his class was strictly a Rolling Stones establishment

i wasn’t the type of girl who thought about the accepted American ideal of what girls should be like in the 80’s i guess i wasn’t any type at all i arrived at the Cecil Big Mac styrofoam boxes and empty apple juice bottles grew out of the tarmac instead of weeds i felt sad i thought Tennessee Abigail was my friend

Spare Cock Amos didn’t have her drag on we were going to go out but i do remember her fingernails being exquisitely polished and groomed in seashell pink Amos had a lot of hurt in her too i told her about what i had done to Abigail she asked why and i told her Amos responded in a God dense given voice “good for you”

dusk was gray golden and the neon flashed halfway on hooch shop fronts i took Spare Cocks arm at her request we waved at the half live carnage on the side walks on Los Angeles street from one of the gutted out warehouses my mind convinced me Piaf’s ‘La foule’ was wafting out i unclasped from Spare’s cautious restraint and twirled neck stretched harvesting the notes in my ears like ripe peaches

post med

mbrazfield (c) 2020

there are days not my legs are weak i walk i walk around the city there’s Christmas in my head and the juvenile prophets have an extraordinary urge to tag just any old word on the city walls there are days but i just walk for the sake of walking i have a difficult time noticing the birds because of the writing on the walls and the writing on their face tells the story of how we got to be in this place there are no cherry blossoms no peach trees no lemonade stands this is reality or a reality

hemorrhaging thought

mbrazfield (c) 2020

this thing inside the mind has lost the path of where its from chromosomes in a situation room in outer space the Earth has crowded me

mbrazfield (c) 2020

shit really he says the days of roses haunts me the road to stray is right outside are you sure about that picking sage and ask permission BB King i heard you holler Lucille my love

mbrazfield (c) 2020

strings flap churning trains of thought wishes prayers gone amok by the howling wolf in a poet’s dream the sting of death follows me pluck one then two then three the boy won’t ever find me until he looks inside of him there i will beat pulsing with the flow of light

when i was

mbrazfield (c) 2020

in a room 1942 there i stood walking slow lights aglow in silent agony

across my street i heard the feet of the walkers in the dark

my eyes they’d dart inside and out of those walls that did contain me

on my lips a hunger creeped that caused my throat to scream in silence

and in these halls the books do hold the history of everything

my arms they mourn that he is gone away from the safety of my hold

and in this home i live alone because outside there stands the lie that is the bane of my existence

fish eye

at first view i sparkled like a sinking blade in the sullen opal ocean
coming closer into the blinding dark a she Sun rose
open there i was to the cataract lens of luminescent death gaping mouth uttering finally nothing
my armored scales resplendent no more were plucked away with the dance of she wind’s torrential hair while absence in my marrow was shivered
my bones were to be the same of Jonah’s host and handler
prophet spitter
the hooks have gotten thicker
on the surface of my mind

Mr. Keith Richards

ever since i was a kid i’ve always had a very vivid imagination mostly because i needed to get away i was too little to drive too little to get a job to make money to take the bus so the only place i had was deep inside my mind so time went by my body stretched my brain gathered more wrinkles and my eyes widened and then the shit hit the fan there were some days where the fan just fell off the ceiling there was so much turd on the blades then there were days when the fan was happily located on the ceiling in the hole with the wires that it was supposed to have swirling around and around doing its job with the moths going in and out of the little lamps shaped like butter cups there was no shit then maybe just a minor fart maybe it was me eating sauerkraut straight from the jar ya follow me Mr. Keith Richards and after a while teachers took notice they got all nosey sent me to see the psychologist called my mother called my father ring ring ring no one bothered so they thought i was special they had no idea how special i could be but i was a relatively well-adjusted child growing up in Hollywood and all you’d be surprised just how fucking well-adjusted i was ya follow me Mr. Keith Richards anyway so as a story goes and i forget where it goes cuz there’s just forks all over the place let me see let’s go to the fork with all the drugs and alcohol oh yeah all of them early on hard living on the edge before and after the edges give or take a few centimeters ya follow me Mr. Keith Richards anyway so long story short made long cuz mainly my fan is starting to show up again on this ceiling i’m in love with a man who lives with a clown and a possum but that’s an entirely different story love is a strange thing i remember when i was a teenager love was a Clash song or like Talking Heads or something like that and punk rock was like really romantic and like you know the Rolling Stones you know your band ya follow me Mr. Keith Richards was pretty cool too even though you guys were old even then but that’s not the problem anyway as i was saying my man lives with a clown and a possum no lie i’m not making this up i’m not even on any kind of drugs legal or illegal i’ve been dry for a really long timethis is just my brain my brain on reality what do i do you ask Mr. Keith Richards well i think a lot i like to fancy myself like a famous writer like a real deep thinker like William Burroughs sorry i don’t mean to name drop but Burroughs kicks ass anyway so yeah like i was saying yeah i say a lot cuz i’m like trying to knit my thoughts to have a cohesive conversation ya follow me Mr. Keith Richards anyway i’m not really sure why i’m here in my dream talking to you like you’re supposed to be my shrink right but you’re here i guess because the guy i’m in love with loves your band The Rolling Stones ya follow me Mr. Keith Richards anyway i’ve lived many many many years in downtown Los Angeles and it’s gone through a lot of intersectionality you know but i don’t know man like the ghosts are still there you know the systematically and psychologically disenfranchised the homeless skid row has just like fucking spread out to infinity and our politicians don’t seem to think that it’s a bad problem you know they don’t have to live on top of each other they don’t have to live on donated tents they possibly have not fought in foreign wars and came back to America just to get fucked over you know they’re not culturally marginalized i used all of the ism’s you can find ya follow me Mr. Keith Richards i don’t know how to explain the world anymore i just kind of walk around and around and around and then sometimes i look up at the sky and there’s this huge ass ceiling fan and the blades look like a chopper and they’re like spinning and spinning and spinning and we’re all down here pushing shopping carts and i’m giving them my empties because that’s all i got yes ya follow me Mr. Keith Richards yeah sometimes i feel pretty bad cuz like i have a place to sleep at at night i have people i can call when ifeel like i want to cry and i’m in love with a man who lives with a clown and a possum ya got that Mr. Keith Richards anyway before i rudely interrupted myself i wanted to tell you that living in LA is really starting to bother me she’s drowning my beautiful angel womb where i was born and grew up is drowning in shit i can’t stand it anymore ya dig me Mr. Keith Richards anyway what was i talking about oh yeah i’m in love with a man who lives with a clown and a possum and it’s really hard cuz it’s just the clown and a possum and there’s not much you can do with that all i know is that i’m in love with that man and he likes your band Mr. Keith Richards for your sake i hope that this dream ends really fast cuz i’m starting to bore myself you know i really don’t smoke or drink or use drugs anymore that’s all in the past i think that’s why i got so lucky to fall in love with a man who happens to live with a clown and a possum anyway Mr. Richards i won’t bend your ear anymore i think that my 45 minute session is up i really thank you for letting me wear this really cool bitching ass hat but you see i got places to go i got things to see i got ceiling fans to dust i gotta fart and i’m grateful to you Mr. Keith Richards you crazy old son of a bitch love your music man and i love a man who lives with a clown and a possum

mbrazfield (c) 2020